Define BROADCAST QUALITY

It's just radio with pictures! :)

Re: Define BROADCAST QUALITY

Postby NECRAT » Sun Oct 25, 2009 3:42 pm

rockmanac wrote:- Most spots are "allowed" a few frames of slop time, usually. It's not uncommon for syndicated programs to have 2:32 breaks to account for this. And most times networks pause before rejoin...or at least they did. Back in Rockford, we were told to do, though, as you said. 30 meant 30. Of course, then people started asking questions why shows were timing out light and IDs were being added to compensate for the slop time that was allowed for in shows.


Maybe at your station. When I was a MCO, commercials were strictly kept at 30:00. If they went 30:02, the two frames got edited out. It still is the policy. Clients aren't buying 30 seconds +/- a few frames. They are buying 30 seconds. While 2 frames may not be much, if every commercial in the break went 2 frames over, the whole break would be over. The reason why local breaks were "2:32" from the syndicators was to allow for 2:30 of commercial material and :02 for a legal ID. (2 seconds of visual was the old rule on that). It wasn't for "slop time". Most traffic departments won't schedule that however, and just let the 2 seconds of black ride (which I think looks sloppy. Anything more than 10 frames of black is too much black, imho).
http://www.necrat.us

"To the optimist, the glass is half full. To the pessimist, the glass is half empty. To the engineer, the glass is twice as big as it needs to be."
User avatar
NECRAT
Moderator Team Leader
 
Posts: 2296
Joined: Sat Nov 17, 2007 10:13 pm
Location: Providence, RI

Re: Define BROADCAST QUALITY

Postby Dave Loudin » Mon Oct 26, 2009 6:18 am

Sigh. From my small-market "career," broadcast quality was defined as anything that could be hooked up to the board, or played by a cassette.
What's that do....?
User avatar
Dave Loudin
 
Posts: 312
Joined: Tue Nov 20, 2007 10:29 am
Location: King George, VA

Re: Define BROADCAST QUALITY

Postby w9wi » Mon Oct 26, 2009 7:46 am

NECRAT wrote:Maybe at your station. When I was a MCO, commercials were strictly kept at 30:00. If they went 30:02, the two frames got edited out. It still is the policy. Clients aren't buying 30 seconds +/- a few frames. They are buying 30 seconds. While 2 frames may not be much, if every commercial in the break went 2 frames over, the whole break would be over. The reason why local breaks were "2:32" from the syndicators was to allow for 2:30 of commercial material and :02 for a legal ID. (2 seconds of visual was the old rule on that). It wasn't for "slop time". Most traffic departments won't schedule that however, and just let the 2 seconds of black ride (which I think looks sloppy. Anything more than 10 frames of black is too much black, imho).


That's exactly what we do. (I don't think there was ever a rule requiring 2 seconds of ID, but it was certainly a reasonable standard to go by!)

Four spots 1/2 second too long, and that 2 seconds of pad is gone.
--
Doug Smith W9WI
Pleasant View, TN EM66
w9wi
 
Posts: 635
Joined: Tue Feb 05, 2008 12:40 pm
Location: Pleasant View, Tennessee

Previous

Return to TV Engineering

Who is online

Users browsing this forum: No registered users and 1 guest

cron